Guild DCE

The body is made of highly flamed maple, absolutely gorgeous. And most of all, there is a detail we have never encountered on a Country Club: The sound post connects top and back, giving the guitar a greater rigidity, to avoid feedback problems when played really loud. No heavy dings, no heavy wear. The binding deterioration, so common on ’60 Gretsches, was becoming a real problem on the guitar’s body, since it just could not be stopped in any way. So, instead of keeping on touching it up by replacing the damaged pieces one at a time, we have chosen to ask our luthier Salvatore Mancuso to complety restore it. The restoration job is just perfect, since Mancuso has used exactly the same material, dimentions and colour of the original binding. More rare details make of this guitar a true “collector’s item”: Rare and interesting indeed! All in all, an exceptional guitar, rare and beautiful, with the same sound and circuitry of period’s s, but with an unique look and personality, with a great natural blond finish and a fantastic flamed maple body.

Guild Starfire III serial number

Indonesia, Samick Of those, JT is by far the most common on the pro-line instruments. However, other Japanese facilities have been used, so it’s not particularly unusual to see JD and JF prefixes. Most Electromatic hollowbodies carry a KS designation, although KP was fairly common prior to about

The following series of charts contain the most accurate information Guild has available for discerning the date of manufacture of Guild guitars by serial number.

Raimundo Classical Acoustic Guitar Although Guild’s classical guitars are no longer available new, you can find many of them in the used market, including the following Guild classical guitar models. In the descriptions below, estimated ranges are provided that give you a feel of the current market, but these ranges can shift up or down unpredictably. Mark I The Mark I, released in , is beloved by musicians for its bright, robust baritone and clarity in the lows that even many high-end classical guitar makers cannot match.

They have all-mahogany bodies, rosewood fingerboards and bridges, nickel tuners, and an elegant natural satin finish to complement the dark color of the mahogany. The model has a round sound hole with decorated colors of red, black, and white encircling it. It has a tortoiseshell celluloid top and back binding, a three-piece mahogany neck, rosewood fingerboard and bridge, with a natural satin finish.

Mark III A few features were tweaked for the Mark III, including the addition of a floral pattern ring around the sound hole, a three-ply tortoiseshell, three-piece and a rosewood headstock overlay.

guild guitars review

Tweet on Twitter Mention the subject of American acoustic guitars and one of the first names that will undoubtedly pop into your head will be C. A pretty impressive achievement. Bring up the topic of electrics, and Martin is hardly the first name of recall. Most coverage of the Martin brand is focused, quite rightly, on their substantial acoustic achievements.

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: Gruhn’s Guide to Vintage Guitars (): George Gruhn, Walter Carter: Books

Vintage Guitar and Bass Vintage guitar and bass guitar information, for collectors and players. Model details, photos, soundclips, catalogue scans and classic advertising for instruments by Though a well-known brand in the music business, Guild guitars have only been around since , when a Careers at Guild Guitars: A perennial favorite brand of Reverb staffers and discerning guitarists everywhere.

Other pieces are American Deluxe including a rosewood board neck with perfectly dressed frets and rolled fretboard edges, N3 Noiseless pickups controlled by a 5-way and S-1 switch, locking tuners, and fulcrum style tremolo with stamped saddles.

Like many words in our society, this one is oft used, seldom understood. Find an old Ibanez that is a copy of another, more familiar guitar? I have seen guitars go for much more than they are actually worth simply because the purchaser has fallen for the hype or actually didn’t know what constitutes a “lawsuit” model. Here is my attempt to clear up an urban legend, and, in the words of Chuck D.

The country was in the post-World War II music boom, and guitars were very popular. As the store grew Mr. Rosenbloom was having trouble getting product. For example, the waiting list for new Martin guitars was reportedly over three years.. Rosenbloom decided to start a guitar manufacturing business to solve his inventory problem. The Martin guitar factory was located about 70 miles from his store in Nazareth, PA, and his goal was to exceed their quality.

Greco Guitar Brand Information & History

Each type of Washburn guitar has a model number, which is used to identify the guitar on websites and in catalogs. Understanding these numbers can be difficult, because they seem to hold no information about the guitar. In reality, you can get an idea of the type of Washburn from its model number if you know the basics of how the numbers are arranged. Electric Check the beginning of the model number.

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The History of the Violin by William Bartruff, Violin Maker Foreword There are stringed instruments from many different cultures and times that each, indirectly or directly, have had a part in the development of the instrument now known as the violin. These instruments, such as the Greek kithara dating from the 7th century BC or the Chinese erhu dating from the middle 8th century AD, while important to the development of stringed instruments and bowed stringed instruments, do not directly relate to the violin.

It is my intent in this article to show only the immediate precursors to the violin and give the reader an idea how this instrument form came to exist, then dominate our western music culture. Origins of the Violin The Rabab The origins of the violin are uncertain and open to debate, but it is generally agreed the instrument we know today in western music as the violin had its origin in the Arabic rabab.

The rabab had two strings made of silk attached to an endpin and strung to pegs used to tune the strings in fifths. The rabab was fretless with a pear shaped body made of gourd and a long neck. The instrument was held on the lap and played using a bow with resin rubbed on its string. No images or examples exist of this instrument but it is described in documents dating from the late 9th century.

The Rebec As a result of the European crusades, an instrument called the rebec based on the rabab appears first in Spain during the middle 11th century.

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This number can be used to date a guitar and in some cases tell where it was made. Serial numbers tend to be stamped or written somewhere on the headstock or neck joint of the guitar. On some acoustic guitars, the serial number is on the inside of the sound hole. Serial numbers are often at least four digits long, and they sometimes include letters.

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Fender Serial Numbers and info. For the majority of Fender’s U. The purpose of Guitar Identification is to provide Vintage numbers from to are supported. Before you contact us have you tried to find out some information elsewhere? In particular have you been to Gruhn’s Guide to Vintage Guitars: Check out our guide complete with serial numbers for Fender instruments. Gruhn’s guide to vintage guitars: The market for vintage American Like a fingerprint or a social security number, the series of digits inked or impressed on the back of a Gibson headstock can go a long way toward identifying a guitar.

Jedistar – Who made your guitar?

guild guitar serial number lookup

GAD Guild , Guitar , Pointless Ramblings I think we as guitarists tend to think of guitar factories as glorious magical places where our favorite instruments are born. A random question on a forum made me wonder what the history of Guild factories looks like so I spent far too much time trying to track down addresses and current pictures of the current and past factories where Guild guitars were born made. This article is the result of that research.

Sadly, such an address no longer exists and Google Maps delivers a generic location on the edge of Pearl Street adjacent to Foley Square for reasons that will readily become apparent. Hint — it has to do with neighborhoods being torn down in favor of skyscrapers.

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However, when he wants a specific sound for some parts, he sometimes plays with other guitars such as Flying V, Explorer, Stratocaster or Telecaster. Les Paul 2. Fender Telecaster 3. Les Paul Sunburst 4. Flying V 5. Les Paul 6. Fender Stratocaster 7. Les Paul replica 8.

Vintage Fashion Guild : Hat Resource

My Yamaha serial number looks nothing like this! Several other serial number configurations used by Yamaha over the years. Letter- , like so:

American Archtops The digits after the dash in the serial number are the year that the guitar was made in.

Ancient Egyptian tomb painting depicting lute players, 18th Dynasty c. Lute player far right. The origins of the lute are obscure, and organologists disagree about the very definition of a lute. The highly influential organologist Curt Sachs distinguished between the “long-necked lute” Langhalslaute and the short-necked variety: Smith and others argue the long-necked variety should not be called lute at all because it existed for at least a millennium before the appearance of the short-necked instrument that eventually evolved into what is now known as the lute.

The long-necked variety also was never called a lute before the twentieth century. Musicologist Richard Dumbrill today uses the word to discuss instruments that existed millennia before the term “lute” was coined. Dumbrill documented more than years of iconographic evidence for the lutes in Mesopotamia, in his book The Archaeomusicology of the Ancient Near East. He focuses on the longer lutes of Mesopotamia, various types of necked chordophones that developed throughout ancient world: He names among the long lutes, the pandura and the tanbur [10] The line of short lutes was further developed to the east of Mesopotamia, in Bactria and Gandhara , into a short, almond-shaped lute.

Under the Sasanians, a short almond shaped lute from Bactria came to be called the barbat or barbud, which was developed into the later Islamic world’s oud or ud. During the 8th and 9th centuries, many musicians and artists from across the Islamic world flocked to Iberia. While Europe developed the lute, the oud remained a central part of Arab music, and broader Ottoman music as well, undergoing a range of transformations.

Doyle Dykes Discusses His Vintage Guild Starfire