Is My Vintage, Made

The only force powerful enough to stop their progress was the bombing of Pearl Harbor on December 7, According to history, all makers dropped what they were doing to join the war time effort. Epiphone had suspended their guitar production to make aileron parts for aircraft. However, the company emerged from the war with a different face…the man whose name was on every musical instrument had died during the war. When the war ended in Epiphone renewed its battle with Gibson, however Gibson never resumed making upright basses and Epiphone again held strong with its upright bass making prowess. The Epiphone catalog showed this line up of basses with a notion that many items were not yet back into production after WWII. These were noted by three asterisks with this explanation: Frixo tried and failed with his upright bass business. He could not purchase the large widths of fine spruce veneer needed for upright bass making. Frixo died in at the age of

Antique Vintage Guitars collector info

Martin introduced the large body dreadnaught in — It was bigger, bolder, and louder than anything Gibson had to offer. At the time, the Nick Lucas model was the largest flat-top Gibson offered. It took Gibson 2 years to develop their response: The Jumbo of The promotional material in the Gibson catalog of said:

Interestingly, the inlay on the 17th frets seems to have been modified as it appears to cover almost the whole space between the frets.

All numbers were impressed into the wood and a six digit number assigned, though no particular order was given and some instruments had a letter prefix. The orange labels inside hollow bodied instruments was discontinued in and were replaced by white and orange rectangle labels on the acoustics, and small black, purple and white rectangle labels were placed on electric models. A few bolt on neck instruments had a date ink stamped on the heel area.

In , Gibson first introduced the serialization method that is in practice today. This updated system utilizes an impressed eight digit numbering scheme that covers both serializing and dating functions. The pattern is as follows: The numbers show Kalamazoo production, show Nashville production.

RetroFret Vintage Guitars

Originally an independent brand, Epiphone was bought by Gibson Guitar in As opposed to a brand such as Fender, whose guitars are either made in America or Mexico, Epiphone’s guitars can come from a number of different factories in a variety of countries. For this reason, it is not as easy to know where each guitar comes from or when it was made. Epiphone stamps each guitar with a serial number, however, which when deciphered can tell a guitarist all he needs to know about the guitar.

Locate the serial number on the back of the guitar’s headstock the top of the neck where the strings are attached. The serial number will generally be nine to 10 digits long, with the first being a letter.

The fixed end pin post looked like a turned table leg with a rubber tip.

Originally the Epiphone models were made in the same factory as the Gibson guitars, by the same craftspeople using the same materials and often with the same features as Gibson models, but manufacturing of most of the Epiphone instruments was switched to Asia sometime around Today, Gibson primarily uses the Epiphone brand as their high value, lower priced overseas-built alternative to their top tier Gibson USA models.

All Epiphone models sold in the United States are subjected to a 15 point inspection process, and are “set up” in the USA by trained Gibson employees at their Nashville facility. Around , Les Paul, a legendary musician and musical electronics and solidbody guitar pioneer, created one of his early solid bodied guitars after-hours in the Epiphone factory out of a 4X4″ piece of wood.

On to this he later attached side “wings” from a Epiphone hollowbody guitar in order to give it a more conventional look. This guitar, known as “The Log”, was later shown to Gibson executives, who initially passed on the idea of building them, but they changed their mind within a couple of years and the Les Paul Model guitar as we know it today was first released in These early “gold top” models were later joined by the black Les Paul Customs, and then the sunburst “Standards” of the late s.

Help dating an Epiphone Acoustic

Reading pot codes How to read pot codes, and what they mean An early s pot from a Gibson guitar. Once decoded, the writing on the back or sides can be very informative If you’ve been reading articles about dating a vintage guitar, you may well have come across mention of pot codes. The pots, or potentiometers to give their full name, are the variable resistors that control volume and tone. Better quality pots are often stamped with a number of codes; typically part numbers, date of production, manufacturers codes and resistance values.

Many pots don’t carry all of this information, but the better quality guitars produced in America regularly do. So where are these codes?

By the Vista Series was discontinued.

Indonesia, Samick Of those, JT is by far the most common on the pro-line instruments. However, other Japanese facilities have been used, so it’s not particularly unusual to see JD and JF prefixes. Most Electromatic hollowbodies carry a KS designation, although KP was fairly common prior to about The last four numbers are sequential for the given year all models combined and are broken into two categories as follows: Reserved for prototypes, samples, one-offs, and other special things.

Regular production all models combined.

Fender

Fernandes Burny Here’s a quick way to tell if you have a Matsumoku factory guitar whether branded or not. That’s a dead giveaway that you’ve got one of “Uncle Matt’s” guitars. As I said above, Fujigen and the other manufacturers produced guitars with no logos at all for sale around the world.

The might suggest the output wattage.

Lincolnwood Label Brown Label The Aria Epiphone Japan models that were made by Matsumoku from the early s and ending before do not have a reliable serial numbering system but can be approximately dated using their Epiphone label colours. The early Japanese blue labels were left over from production at the Kalamazoo factory and were used on Japanese-made instruments until supplies ran out approximately These labels say “Union Made” in the lower left corner and are sometimes hand-stamped with “Made in Japan” at the bottom.

Some of the interim blue lables had neither the “Union Made” nor “Made in Japan” markings on them. When supplies ran out, these labels were replaced with a new batch that were printed “Made in Japan” in the lower right corner. Pre “Union Made” labels are distinguishable from labels used on Japanese intruments by the printed model name of the intrument only. The Lincolnwood label was also used for the Tawainese “Epi” series acoustic guitars from

Vintage Guitars

Epiphone Les Paul Epiphone Les Paul Dating back to and once a major rival of Gibson, the Epiphone company and brand were purchased by Gibson’s parent company in Originally the Epiphone models were made in the same factory as the Gibson guitars, by the same craftspeople using the same materials and often with the same features as Gibson models, but manufacturing of most of the Epiphone instruments was switched to Asia sometime around Today, Gibson primarily uses the Epiphone brand as their high value, lower priced overseas-built alternative to their top tier Gibson USA models.

All Epiphone models sold in the United States are subjected to a 15 point inspection process, and are “set up” in the USA by trained Gibson employees at their Nashville facility. Around , Les Paul, a legendary musician and musical electronics and solidbody guitar pioneer, created one of his early solid bodied guitars after-hours in the Epiphone factory out of a 4X4″ piece of wood.

The laminated black pickguard was split, like the Marvin, with three slanted pickups, now Tri-Sonics, with three-way, volume, and two tones.

Despite a relatively brief mainstream career spanning four years, he is widely regarded as one of the greatest and most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. Towards the mid s he started using Fenders, starting with a Fender Duo-sonic which he played with Isley Brothers. In the summer of he bought his first Stratocaster with the help of his girlfriend, and it quickly became his signature guitar.

Hendrix played mostly right-handed models, even though he was left-handed — which played a role in the way his guitars ended up sounding, and left an overall impression on the listeners. Important to note is that the string placement was correct for a left hand player with the low E on top. According to other [Becoming Jimi Hendrix, Steven Rody] this story is connected to his second electric guitar, a Danelectro. Unfortunately the guitar itself is one of the more obscure models with very little of its history being known today.

It was made by a company called Valco, which also produced instruments sold under brands such as Airline, Oahu, and National. The guitar, however, seems to be copper-colored one.

Epiphone serial

F is the production factory which stands for Fujigen. The first digit will be the last digit of the year, ie. The last 5 numbers will be the consecutive number denoting production count for the year with the caveat that each month will start at predetermined intervals of or , etc.

Most desirable are the professional grade models on which the company built its reputation:

These models were Fender models and not Squier models. The stratocasters had Fender USA pickups installed and were made for the Japanese market only and not for export. The Squier series were also made available for the Japanese market in October , which incorporated small changes compared to the export Squier series. The large Fender logo of the export Squier series was soon changed to a large Squier logo. The SQ Squier series was introduced in late to early Squier Vista Series[ edit ] In , Squier began to manufacture the Vista Series, which saw them introducing their own unique guitar designs independent from the Fender mother company for the first time.

Made in the same factory as the Japanese Fenders of the era, they were known as high quality guitars. Later, in 97, a guitar version of the Musicmaster Bass was added, though it should be noted this was based on the bass design, and not the Fender Musicmaster guitar design of the s. By the Vista Series was discontinued. Squier Affinity Series[ edit ] The Squier lineup was augmented in with Affinity series guitars and basses.

Argus des guitares FENDER

Thus, guitars were blessed with the Midas touch, veritable gold mines guaranteed to swell the bottom line as large corporations sought to diversify. The resulting gold rush yielded a number of strange bedfellows, with many guitar companies owned by conglomerates that may or may not have a clue about making and marketing guitars.

Most came down on the latter side: Even new guitar importing companies were fueled by money from elsewhere: Teisco del Rey came from photographic supplies.

Martin never actually produced Stinger catalogs, so a detailed accounting is pretty difficult.

Tweet on Twitter Mention the subject of American acoustic guitars and one of the first names that will undoubtedly pop into your head will be C. A pretty impressive achievement. Bring up the topic of electrics, and Martin is hardly the first name of recall. Most coverage of the Martin brand is focused, quite rightly, on their substantial acoustic achievements. The primary starting point for information about Martin guitars is, of course, Martin Guitars: These pickups were the DeArmond humbuckers with chrome sides and a black center in a trapezoidal hole, large pole pieces along one side and smaller poles along the other.

The D E was a mahogany dreadnought with the neck pickup and a second bridge pickup. The typical Martin pickguard had the front point cut off and a notch in back to make room for the pickups rings.

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